The Good the Bad and the Ugly
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  • Rated: R
  • Genre: Western, Adventure, Action
  • Year: 1966


By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good, the Bad and the Ugly is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns as the "Man With No Name," this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of $200,000and letting no one, not even warring factions in a civil war, stand in their way. From sun-drenched panoramas to bold,hard close-ups, exceptional camera work captures the beauty and cruelty of the barren landscape andthe hardened characters who stride unwaveringly through it. Forging a vibrant and yet detached style of action that had not been seen before, and has never been matched since, The Good, the Bad and the Ugly shatters the western mold in true Clint Eastwood style.

Cast & Crew

Clint Eastwood ... The Good
Eli Wallach ... Tuco the Ugly
Lee Van Cleef ... The Bad
Aldo Giuffre
Rada Rassimov
Mario Brega
Luigi Pistilli


Dave Kehr Chicago Reader | March 28, 2007

Though ordained from the beginning, the three-way showdown that climaxes the film is tense and thoroughly astonishing.

Glenn Abel Hollywood Reporter | June 08, 2004

Sergio Leone's epic looks good, almost great, restored to its original running time.

John Monaghan Detroit Free Press | September 11, 2003

Of all the great films of the 1960s, The Good, the Bad and the Ugly is one of a fistful that can be truly appreciated only on the big screen.

Colin Covert Minneapolis Star Tribune | September 11, 2003

Leone's blockbuster is balanced on the razor's edge between popular entertainment and art film. It took classic American themes and turned them inside out.

Stephen Hunter Washington Post | August 22, 2003

This is a great movie, whatever strange estuary of the western river it occupies.

Michael Wilmington Chicago Tribune | August 07, 2003

An improbable masterpiece -- a bizarre mixture of grandly operatic visuals, grim brutality and sordid violence that keeps wrenching you from one extreme to the other.

Roger Ebert Chicago Sun-Times | August 05, 2003

Art it is, summoned out of the imagination of Leone and painted on the wide screen so vividly that we forget what marginal productions these films were.


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